Get “Swish Swish” off Katy’s new album ‘Witness’: http://katy.to/witnessYd
WITNESS: The Tour tickets available now! https://www.katyperry.com/tour
Starring Katy Perry, Nicki Minaj, Molly Shannon, Terry Crews, Hafþór Júlíus “Thor” Björnsson, Bill Walton, Rich Eisen, Gatan Matarazzo, Jenna Ushkowitz, Christine Sydelko, Dexter Mayfield, Doug The Pug, Russel “Backpack Kid” Horning, Iris Kyle, Rob Gronkowski, Karl-Anthony Towns, Joey Chestnut, the ladies of GLOW (Sydelle Noel, Britney Young, Kia Stevens, Jackie Tohn), Carter Wilkerson, West Hollywood Cheerleaders, Amanda LaCount, and Nugget as herself.
Director: Dave Meyers
Producer: Nathan Scherrer, Jennifer Heath & Danny Lockwood
Prod Co: FREENJOY, INC
Head of Production: Ben Piety
Director of Photography: Scott Cunningham
Production Designer: Justin Dragonas
VFX Supervisor: Todd Sarsfield
VFX: Strange Invention, RodeoFX, Timber, Mirada & GloriaFX
Motion Graphic Effects: Les Umberger
Sound Mix: 740 Sound
Assistant Director: Dave Dean
2nd Unit Director: Daniel Russell
Editor: Deji LaRay
Casting Director: Chad Ritterbach
Wardrobe Styling: Johnny Wujek & Jamie Mizrahi
Hair: Chris Appleton
Make-up: Hung Vanngo
Nails: Kimmie Kyees
#CapitolVideoTeam: Targa Sahyoun, Colin Wyatt, Possum Hill, Kevin Kloecker & Cody Plumlee
Featuring “Shooting Stars” performed by Bag Raiders. Licensed courtesy of Universal Music Australia Pty Limited and Universal Publishing Group Australia
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Subscribe to Katy’s official YouTube channel: http://youtube.com/katyperry
Music video by Katy Perry performing Swish Swish. (C) 2017 Capitol Records
List of Top 20 Songs of Justin Timberlake –
1. Can’t Stop The Feeling
2. What Goes Around Comes Around
4. Cry Me A River
6. Suit & Tie
8. Like I Love You
9. Take Back The Night
10. My Love
11. Tunnel Vision
12. I’m Loving It
13. Cry Me A River
14. Ayo Technology
15. 4 Minutes
16. Love Stoned
17. Strawberry Bubblegum
18. Give It To Me
19. Blue Ocean Floor
20. Dead And Gone
Riana Nel – Jy Sal Weet
Please watch: “Riana Nel – Hark The Herald Angels Sing (Lyric Version)”
Sexiest Music Videos +18
Click below link for more
Music video by Adam Tas performing Hooglied. (C) 2016 SME Africa (Pty) ltd
Watch the official music video for “Money Calls” by Ben Feat. Jay Critch.
“Different’ EP Available everywhere now.
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New 2017 – Hip-Hop Universe – Hip-Hop Videos –
JAY-Z NY Times Interview / JAY-Z And Dean Baquet Interview / JAY-Z And Dean Baquet In Conversation
By DEAN BAQUET NOV. 29, 2017
My conversation with Jay-Z began with O.J.
When I was a kid growing up in black New Orleans in the 1960s, O.J. Simpson was a god. We imitated his moves, his swagger. We didn’t want to just play like him. We wanted to be him, gorgeous and running in the California sun. We practiced his juking moves in the mirror, our hands too small to hold the ball loosely, the way he did. We even wanted to go to U.S.C., where he led the nation in rushing two years in a row. We were angry when he lost the Heisman Trophy to the white, All-American, clean-cut U.C.L.A. quarterback Gary Beban, known as “The Great One.” We were triumphant when he won it the next year.
But O.J. was not a perfect hero for young black boys, even though he launched himself from poverty in San Francisco to superstardom. He was racially ambivalent. At a time when other athletes were starting to make their blackness a cause, he was trying to make his a footnote.
So when I was invited to interview Jay-Z, I wanted to talk about his song “The Story of O.J.,” from his most recent album, “4:44,” in which he quotes the legendary, maybe apocryphal, Simpson line “I’m not black, I’m O.J.”
I was less engaged by the rapper’s marital troubles or his infamous, caught-on-video 2014 elevator dust-up with his sister-in-law. But I did want to try to understand how, with an $88 million Bel Air mansion a freeway ride from neighborhoods where black people endure with so little, Jay-Z holds onto his younger self — a black man who grew up in the ’70s in the Marcy projects of Brooklyn. It seemed from his new body of work that examining this high-wire act of straddling two places had been stirring more deeply within him — much the way it stirs in me, a Southern black man who grew up revering O.J. and whose own success is infinitely greater than anyone in my early life would have imagined for me.
What is it about the story of O.J. Simpson that moved us both?
O.J. must have locked down part of himself when he presented himself as the noncontroversial star who never talked about race, the perfect foil for his fellow football player, Cleveland Browns running back Jim Brown, who seemed more threatening, angry. I had to wonder if the pressure of that denial caused him to explode decades later.
All of this was on my mind when I met with Jay-Z for two hours in an executive office at The Times this past September. Besides O.J. and racial identity, we talked about his mother’s sexuality, and how he could possibly raise socially aware children who shuttled between mansions: After years of rapping about growing up in the ‘hood, he has produced an album that sounds like a middle-aged black man’s deeply introspective therapy session put to music.
This interview has been edited and condensed. Annotations by Wesley Morris, critic at large for The New York Times, and Reggie Ugwu, pop culture reporter for The New York Times.
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Written by: Matt Thomas, Ross Copperman, Josh Osborne