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Interprete:Bad Boys Blue Album :Heart Beat Año:1986 01.I Wanna Hear Your Heartbeat (Sunday Girl) [12 Mix] 02.Mon Amie 03.One Night In Heaven 04.Baby I Love Y…

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Eminem and Rihanna doing the ALS Ice Bucket Challenge at their last ‘Monster Tour’ show in Detroit!

Music video by JAY-Z performing Big Pimpin’. (C) 1999 Roc-A-Fella Records, LLC

I Love You. ft. “Afraid” Available Now:
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Music video by The Neighbourhood performing Afraid. (c) 2013 Columbia Records, a Division of Sony Music Entertainment

Shakira feat. Maluma – “Chantaje” (Official Music Video)
“Chantaje” is available on these digital platforms:
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Official music video by Shakira feat. Maluma performing “Chantaje.” (C) 2016 Sony Music Entertainment US Latin LLC

Music video by INNA performing the super hit single “Bop Bop” featuring Eric Turner. 2015

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LEMONADE the Visual Album Available Now!
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New 2017 – Hip-Hop Universe – Hip-Hop Videos –

JAY-Z NY Times Interview / JAY-Z And Dean Baquet Interview / JAY-Z And Dean Baquet In Conversation

By DEAN BAQUET NOV. 29, 2017

My conversation with Jay-Z began with O.J.

When I was a kid growing up in black New Orleans in the 1960s, O.J. Simpson was a god. We imitated his moves, his swagger. We didn’t want to just play like him. We wanted to be him, gorgeous and running in the California sun. We practiced his juking moves in the mirror, our hands too small to hold the ball loosely, the way he did. We even wanted to go to U.S.C., where he led the nation in rushing two years in a row. We were angry when he lost the Heisman Trophy to the white, All-American, clean-cut U.C.L.A. quarterback Gary Beban, known as “The Great One.” We were triumphant when he won it the next year.

But O.J. was not a perfect hero for young black boys, even though he launched himself from poverty in San Francisco to superstardom. He was racially ambivalent. At a time when other athletes were starting to make their blackness a cause, he was trying to make his a footnote.

So when I was invited to interview Jay-Z, I wanted to talk about his song “The Story of O.J.,” from his most recent album, “4:44,” in which he quotes the legendary, maybe apocryphal, Simpson line “I’m not black, I’m O.J.”

I was less engaged by the rapper’s marital troubles or his infamous, caught-on-video 2014 elevator dust-up with his sister-in-law. But I did want to try to understand how, with an $88 million Bel Air mansion a freeway ride from neighborhoods where black people endure with so little, Jay-Z holds onto his younger self — a black man who grew up in the ’70s in the Marcy projects of Brooklyn. It seemed from his new body of work that examining this high-wire act of straddling two places had been stirring more deeply within him — much the way it stirs in me, a Southern black man who grew up revering O.J. and whose own success is infinitely greater than anyone in my early life would have imagined for me.

What is it about the story of O.J. Simpson that moved us both?

O.J. must have locked down part of himself when he presented himself as the noncontroversial star who never talked about race, the perfect foil for his fellow football player, Cleveland Browns running back Jim Brown, who seemed more threatening, angry. I had to wonder if the pressure of that denial caused him to explode decades later.

All of this was on my mind when I met with Jay-Z for two hours in an executive office at The Times this past September. Besides O.J. and racial identity, we talked about his mother’s sexuality, and how he could possibly raise socially aware children who shuttled between mansions: After years of rapping about growing up in the ‘hood, he has produced an album that sounds like a middle-aged black man’s deeply introspective therapy session put to music.

This interview has been edited and condensed. Annotations by Wesley Morris, critic at large for The New York Times, and Reggie Ugwu, pop culture reporter for The New York Times.

___

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Here’s an acoustic version of Luke singing a new song titled “Dirt Road Diary” live from his Farm Tour 2012. This song is the inspiration behind Luke’s headl…

LMFAO(Redfoo & Party Rock Crew) – Party Rock Anthem at osaka ATC HALL 2012 LMFAO(Redfoo & Party Rock Crew) JapanTour 2012.

Music video by Rihanna performing You Da One (Explicit). © 2011 The Island Def Jam Music Group Itunes: http://www.smarturl.it/TTT?IQid=youtube Amazon: http:/…

“No Brainer” available at http://smarturl.it/NoBrainerDJK

DJ Khaled online:
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(C) 2018 Epic Records, a division of Sony Music Entertainment

Parmalee and their label Broken Bow Records are donating 100% of their proceeds from this song to Hurricane Florence Relief! Simply download the song to donate.

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Written by Matt Thomas : Brian Bunn : Kyle Jacobs

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Andriette Redmann, Betsy Long and Kath Green of Avon Faire perform “Gabriel’s Message” (Gould; Pettman arr.), “Gaudete” (Reeves arr.), “I Sing Of A Maiden” (Hadley intro; Mediaeval Baebes)

NEW PARTY MIX ** OCTOBER 2013 – HIP-HOP & RNB HITS REMIXED – DJ PATTY E ##Download links## Available from both my Facebook and SoundCloud pages – please l…

The official music video for “The Champion” by Carrie Underwood. Directed by Jimmy Lynch.

Download or stream the Cry Pretty album here: http://strm.to/CryPrettyAlbum

Sign up for Carrie Underwood’s official newsletter to receive new album updates here: http://strm.to/CUOfficialNewsletter

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Music video by Carrie Underwood performing The Champion. © 2018 UMG Recordings, Inc.

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Die Heuwels Fantasties performing Leja at the MK Mystic Sessions. 17 July 2009, Mystic Boer, Bloemfontein.

Sevyn Streeter’s new single “Don’t Kill The Fun” is now available! Download here: http://smarturl.it/dktf Or stream it here: http://smarturl.it/streamdktf Check out Sevyn Streeter…

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PLEASE READ THE VIDEO INFO!!! Unofficial Music video of Guns N Roses with their song Knocking On Heaven’s Door. The Video is a series of diffent clips from v…

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Parmalee performs “Already Calling You Mine” live at the Grand Ole Opry in Nashville, Tennessee. © ? 2015 Grand Ole Opry, LLC Subscribe: http://bit.ly/SubscribeOpry Get Tickets: http://bit.ly/…

Music video by JLS feat. Tinie Tempah performing Eyes Wide Shut. (c) 2011 Sony Music Entertainment UK Limited.

Watch Sheryl Crow play at the Tiny Desk.

More from NPR Music:
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This Tiny Desk concert was part of Tiny Desk Fest, a four-night series of extended concerts performed in front of a live audience and streamed live on YouTube, Twitter and Facebook.

Dec. 3, 2019 | Stephen Thompson — “I heard a big thing on NPR about the shrinking of the attention span and how now, with pop songs, everything has like six seconds before you gotta change it, because the kids swipe over,” Sheryl Crow tells the crowd early in her Tiny Desk Fest concert. “I’m just gonna tell you right now: We’re dinosaurs. … And while the kids are all writing fast food — which is super-cool ’cause it tastes great, super-filling — we’re sort of still writing salmon. We’re the songwriters that are here to tax your attention span.”

Twenty-five years ago this fall, Crow was in the midst of a massive career breakthrough: Her inescapable hit “All I Wanna Do” was entrenched in the Top 5 — it would later win the Grammy for Record of the Year — and her 1993 debut album, Tuesday Night Music Club, was well on its way to selling more than 7 million copies in the U.S. alone. The years since have been similarly kind. A heavily decorated but eternally approachable star, Crow has released 11 albums and won nine Grammys en route to her latest, a duets collection called Threads.

For NPR’s Tiny Desk Fest, Crow and her crack band of rock-and-roll lifers performed a 35-minute set (including two unexpected encores) that featured new material from Threads and a handful of hits that have morphed over the years into pop standards. From the easygoing opening strains of “All I Wanna Do” to the rousing final notes of “If It Makes You Happy,” we were in some of the surest hands in the business.

SET LIST
“All I Wanna Do”
“A Change Would Do You Good”
“Prove You Wrong”
“Tell Me When It’s Over”
“Cross Creek Road”
“Out Of Our Heads”
“If It Makes You Happy”

MUSICIANS
Sheryl Crow: vocals, guitar, keys; Peter Stroud: guitar; Frederick Eltringham: drums; Robert Kearns: bass; Jen Gunderman: keys; Audley Freed: guitar; Joshua Grange: pedal steel

CREDITS
Producers: Lauren Onkey, Morgan Noelle Smith; Creative Director: Bob Boilen; Audio Engineers: Josh Rogosin, James Willetts; Videographers: Morgan Noelle Smith, Maia Stern, Kara Frame, Bronson Arcuri, Jack Corbett; Associate Producer: Bobby Carter; Production Assistant: Zemoria Mathis; Executive Producer: Lauren Onkey; VP, Programming: Anya Grundmann; Photo: Mhari Shaw/NPR

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